Film Sound Design can include many aspects such as mixing, foley, dialogue treatment, ADR, and ATMOS. I've worked in all aspects of film sound design and love taking on all kinds of roles to bring a film to life. Below is a list of films I've worked on with a description of my role, as well as some film sound design examples from released projects.
I'm Sorry Deer (TBA 2024) - Directed by Jacquelyn Fiorillo
- Role: Sound Supervision, ADR Engineer, Re-recording Mixer
Vessel (2023) - Directed and Produced by Dexter Jiang
- Role: Re-recording Mixer, Dolby ATMOS Surround Mixer
El Canto De Los Coquis (2022) - Directed and Produced by Rachel Dolan, Written by Natalia Fuentes
-Role: Foley Artist
Unreal Engine 5 Implementation Demo - Haunted House
- Role: Sound Designer, Sound Implementation, SFX Design
Kids of Brassai (2023) - Directed, Produced, and Written by Ben Samson
-Role: Sound Supervisor, ADR Engineer, Foley Artist, Re-recording Mixer
The Last Dungeon (TBA 2023) - Produced by SCAD Animation Studios, Directed by Alex Young
-Role: Re-recording Mixer, Dolby ATMOS Surround Mixer
Deceased (TBA) - Produced by Salty Quill Studios, Directed by Ashley Wilson
-Role: Dialogue Editor
A 2023 Indie Short Film - Re-Recording Mixer, Dolby ATMOS Surround Mixer
A 2022 SCAD Student Animation - Sound Supervisor, Re-recording Mixer, ADR Engineer
A 2022 SCAD Student Film - Foley Artist
Winner of the 2022 Freida Film Festival "Best Student Film" award
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